WORLD MUSIC CENTRAL - www.worldmusiccentral.org

Published: August 19, 2008

Taj Weekes and Adowa - Deidem (Jatta Records, 2008)

Back for a second go-around following his 2005 debut disc Hope & Doubt is St. Lucia-born Taj Weekes and his band Adowa. Deidem sports the same strengths as Weekes’ initial offering: Great songs, crisp reggae arrangements and the melancholy-tinged sweetness of Weekes’ high, reedy, almost feminine-sounding voice.

The title of his latest translates as “All Of Us,” and he’s clearly singing with a universal heart on such tracks as the violence-deploring “Since Cain,” the love lament of “Hollow Display” and plaintive commentaries on Darfur and Hurricane Katrina via “Orphans Cry” and “Louisiana” respectively. An impassioned communicator who uses no-nonsense reggae music as his means, Weekes is precisely what the world needs more of in these troubled times.

MOONSHINE INK

Summer usually brings out the best in us (at least it does in me!). We lounge in the sun, frolic in the fields, hike and bike through the wilderness, and listen to reggae music outdoors. This last activity brings to mind the social consciousness and idyllic awareness of the “island vibe.” While at Commons Beach recently, I was lucky to be present at the performance of roots reggae artist Taj Weekes and his talented band who have been an integral part in the revival of roots reggae (his latest album “Deidem” was recently noted on Billboard for being a part of the new resurgence of this musical genre). Due in part to his approachable nature and thanks to his manager Shirley Menard, I sat with him the following day and got to know a little bit more about the man behind the music. What I discovered immediately was that the inescapable beauty and essence of Taj Weekes is found in his humanitarian values. Much of his music delves into life’s overlooked human experiences: oppression, loss, greed, fear, inequality and injustice.

Native of the Caribbean island known as Saint Lucia, he knows what it means to fight for independence… his island was fought over many times by Europeans and finally became independent in 1976. Meanwhile a young Taj was learning about family, survival, and music. Taj recalls growing up and listening to the Roots Reggae played by his older brothers (he is the youngest of 10 siblings). Early reggae musicians were considered the “town criers” delivering the news of the world set to rhythm and rhyme. With the popularization and computerization of the “Reggae beat,” he noted a change from a listening music to a dancing music– not so terrible except that oftentimes the message was lost to the pop culture and money-hungry imitators. Thus, in his opinion, occurred a loss in the consciousness building power of the music. 

Taj is driven by the purpose of getting the message heard. I was instantly entranced by his gentle manner and fragile voice; moved by the words he spoke with thoughtful demeanor and careful measure. We discussed every topic from camping in the wild, the socio-political plight of humanity, Hurricane Katrina, Darfur, and Biblical prophecies. A committed believer in Rastafari, Taj may invoke the stereotypical image of the herb-worshipping Rasta, but he is profoundly so much more. He ponders on and delivers the state of humanity and our impact on Mother Earth through his music. His meditations and visions give rise to lyrics, which he is compelled to share with those who care to listen. While he smiles gently and speaks softly, this approachable and extremely likeable man holds a sadness deep within clearly evidenced by the lyrics found in his music.

During his cross-country travels in the U.S., he encountered a number of wandering souls and learned the history of the Native Americans; their plight and loss of land, power, and might. In homage to their struggles he wrote a song which will be found on his next album (he currently has enough material to put together eight more albums!).

During our candid discussion, I sensed the feelings of guilt he harbors for living a life filled with simple pleasures while somewhere else on the planet war is devastating the lives of many, children are dying, starving, losing their parents, struggling to survive. For this reason, the man who sings about the troubles of others does more than just raise awareness with his music. He repeatedly spoke of the “collective power of people” to right the wrongs of society and heal each other. For his part, he created They Often Cry Outreach, a charity dedicated to raising funds and educating children in poor and underprivileged societies. Undoubtedly this program is why the International Consortium of Caribbean Professionals has named him a Goodwill Ambassador.

Taj Weekes is much more than a performer. Just as the ‘70s and ‘80s gave us the thought provoking music of Bob Marley, we are today in the midst of another mystic who finds music and poetry at the heart of all of life’s experiences. The Park City Record in Utah describes him as “Bono Meets Bob Marley.” In being a writer and performer of roots reggae music, Taj Weekes provides us with the fodder needed for social consciousness and intellectual dialogue, and ultimately social change.

For information on They Often Cry Outreach and to donate to this virtuous cause visit theyoftencryoutreach.org.

MALAGUETA MUSIC - Germany

You don't need extra luggage to listen to the latest Culture Taxi Records album: It will take you straight to the sunny Caribbean, for an encounter with Taj Weekes and his highly contagious reggae. Your luggage is in the trunk, your driver ready to take off, let's go for a ride!

Taj Weekes' high voice combined with his unusually enticing melodies provide the basis for his perfectly balanced reggae. With solid keyboards, the cunning wah-wah licks of his guitar, seductive female background singers, and his complex, yet straight-forward arrangements, it becomes obvious that we are in the company of a musician who is blessed by the West-Indian gods.

Taj Weekes grew up in St. Lucia and later moved to New York. This is where, together with his band, Adowa , he released his first album, "Hope and Doubt" in 2005, starting his live career and building a solid fan community. Today marks the release of his second album, "Deidem" ("All of us"). After losing both of his parents within the same year, Taj Weekes' lyrics dealt first and foremost with his mourning. But quite soon, he began writing about the suffering of mankind instead of dwelling in self-pity. His themes expanded to universal issues:  Right underneath the floating island melodies, his music addresses current problems ranging from the environment ("Dark Clouds"), to globalization, Hurricane Katrina, or the conflict in Darfur.

I find it difficult to emphasize one particular song. Each of the melodies grabs you rapidly and continues to linger in your mind – from the melancholic "Orphan's Cry" to the irresistible "Angry Language", from the upbeat (in spite of its somber theme of humans' inclination to violence) "Since Cain" to "Kink and Crinkle."  All eleven songs bring back the magic reggae sound of the seventies, without ever sounding old. The last song of the album, the ballad "Louisiana", with its sparse piano accompaniment, continues to resonate with you for quite a while after its last chords have faded.

BOISE WEEKLY

Published July 9, 2008

Written by: Amy Atkins 

Reef is a great place to hear pop, soul, jam or a fusion of them all. But there's something about reggae at Reef that's a little like coming home.

Taj Weekes' story follows the same path of many a roots reggae singer. The youngest of 10 children, Weekes was born and raised on the Caribbean island of St. Lucia. As a young man, he left his island home for Toronto, (brrr) Canada. A move to New York netted him Adowa, which includes Radss Desiree on bass, Shelton Garner on lead and acoustic guitar and backing vocals, Delroy Golding on percussion and Adoni Xavier on guitar just to name a few.

While working on the follow-up to their successful 2005 release, Hope and Doubt, both of Weekes' parents passed away. "I was wallowing in my grief," Weekes says in his bio, "and I wrote a song called 'Clay Dust To Dust,' which was incredibly depressing. But it was then I realized that it's not about me. Sure, I lost two people, but there are millions of people dying every day. So right then, I scrapped all the songs I had and wrote 12 new ones. I wrote about the world instead of myself."

Weekes' second release, DEIDEM is, by all means, a response to the world. Louisiana is a transparent look at the New Orleans flood from both a political point of view and a spiritual one, with little more than Weekes' unique, effeminate voice and a sorrowful piano punctuated by bits of percussion as he sings, "An unwanted rocking chair / beckons to the sky / so did the people in 's-i-ppi. / Is it race or class / oh will help come at last."

Though many of the songs on DEIDEM are heavy-hearted, an overreaching message of hope comes through in both the lyrics and the music. Hearing Weekes' and Adowa while sitting amid the island decor at Reef, it won't be hard to believe him.

THE PARK RECORD

Park City, Utah

Interview by: Greg Marshall 

TAJ WEEKES IS TRYING TO TEACH THE WORLD TO SING 

Move over, Bono.

Taj Weekes does relief work on St. Lucia, where he was born, to reduce poverty and promote awareness of children's issues. In November, he was named a United Nations Goodwill Ambassador to the Caribbean. He recently helped bring an optometrist and a general practitioner to St. Lucia to provide medical care for the poor.

And, oh yes, he sings. Weekes combines classic roots reggae and grassroots politics in his second album, DEIDEM, which was released in May to favorable reviews. He performs tonight, Wednesday, 9 p.m. at the Star Bar.

Songs on the album discuss global and humanitarian issues such as global warming, the effects of Hurricane Katrina, and the crisis in Darfur. The topics are insightful and serious, fans say, but the grooves, melodies and rhythms are familiar to reggae.

Weekes wrote DEIDEM, which Weekes says means "all of us," after the death of both of his parents in 2006. "The record didn't start off how it is now," he explained in a telephone interview. "I went through a period of mourning."

Weekes decided to scratch the songs he had written about his own grief, songs with titles such as "From Clay To Dust," and work on 12 new tracks that drew from global politics for inspiration.

"It was always about giving something back," Weekes said. "Even though two people died for me, people are dying every day." The singer said that one of the goals of his music is to help society "take a holistic approach and not an individualistic approach to the world."

Weekes is the youngest of 10 children. He remembers lining up with his brothers and sisters to sing for his parents, and his dad singing back to them as if they were the Von Trapps in "The Sound of Music." Weekes started his song-writing career at the age of 10 writing down the lyrics from songs he heard on LPs. Sometimes he would tinker with the words in a song and make them his own creation. "From the time I started writing," he said, "I did my own thing."

Before leaving the Caribbean to pursue music, Weekes started a band with a few of his brothers and toured the Caribbean islands. That's when he met some of the musical influences that compelled him to sing political reggae. "These people I consider town criers," he said. 'Reggae is what you call the poor man's cry. It's music you can sit and listen to. It's listening music."

Weekes performs with two backup singers and six other musicians. The band is on a six-week tour across the country spreading the word about their music.

"There's such a void in the market for the kind of music Taj sings," Weekes' manager, Shirley Menard, offered. "Taj sticks to what's real and what's true."

Weekes released the album on his own independent label, Jatta Records.

"You have to do it on your own terms in your own way," Menard said. "He couldn't make this kind of music any other way."

Danny Hill, the manager of Star Bar, said he has been playing Weekes' albums all week in his car. "We're kind of becoming known for bringing this kind of music to town," he said. "I'm excited."